Tag Archives: 3 Stars (of 5)

MGMT – Congratulations

MGMT - CongratulationsMGMTCongratulations (Sony Music)

Your girlfriend might hate this album. It’s much more for the record collector set than their long suffering and ever patient better halves who delighted in the dance pop of the band’s last effort. More Odessey and Oracle than Oracular Spectacular, the band wasn’t kidding when they said there’d be no “Time to Pretend” or “Kids” this time around. That’s not to say it’s not good, it just means it’ll be good for a smaller number of people and those people are the dorks who actually got that Zombies reference.

The band maintains it’s sense of pop, but this time instead of radio-friendly (what does that even mean anymore?) nuggets of unforgettable melodies and anthemic calls to “fuck with the stars” and “have some fun,” they draw from the roots of conceptual art pop of the mid- to late-1960s. And why not? Just like their forefathers, MGMT was thrust into the void of (indie) rock fame in the wake of a couple of really, really catchy tunes. They got pigeon-holed and expectations mounted for their follow-up. Druggies everywhere rejoiced when it was announced that the dude from Spaceman 3 would be involved only to have those same dreams dashed when we all found out it wasn’t Jason Pierce.

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Ted Leo and the Pharmacists – The Brutalist Bricks

Ted Leo and the Pharmacists - The Brutalist BricksTed Leo & the PharmacistsThe Brutalist Bricks (Matador)

Where have all the rude boys gone?

They’re pounding the pavement, looking for work in our wi-fi layered neighborhoods, too busy trying to become a part of the system rather than rebel against it.

It’s called getting older, and while it’s something to fear for a few years in your twenties, you eventually begin to realize that it’s inevitable. The least you can do is to hide just how much you’ve really sold out to your friends who are still holding on to their righteous ideology while perfecting their latte art instead of perfecting their resume.

Don’t worry. They’ll eventually sell out too and all of that progressive zeal will be replaced with complacency and compromise. Hell, even Ted Leo is beginning to get softer lyrically while cleverly revisiting the same blend of Attractions‘ bash that made him such a vital voice during the Bush II administration.

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