Tag Archives: Kevin Barnes

Kevin Barnes vs. You Ain't No Picasso

You Ain’t No Picasso talks to Kevin Barnes about the new Of Montreal album, and how his songwriting become lyrically and stylistically more personal:

There was a weird, almost fascist state of mind in the Elephant 6 collective, at least from my perspective. There were sort of these rules to keep it analog, keep it 60s and 70s. There are sort of unspoken rules in a weird way and I was so influenced by those guys. They weren’t dictating these things, but that’s what they were into and I was so smitten.

But I wanted to branch out. I wanted to do different things. I felt a bit nervous, you know, about drum programming and using midi instruments because those were definitely off limits within that clique. Or at least no one did it and it was not respected. You had to actually be able to physically be able to do it.

Then I realized that was holding me back and I really wanted to explore this other kind of music. We all lived in a house together and I moved out of that house and into a house with Nina and my brother. Then I didn’t have anyone in my immediate space who could influence me. Everyone in my immediate surroundings was very positive and very supportive and everyone wanted me to try something new.

Lots of MP3s, too.

Previously: The Glorious Noise Interview with Of Montreal (2004).

Of Montreal: Changing Your Month

Of Montreal - There's no future in that.Fueled by love, frosted with joyous psychedelia, and infused with subtle percussive polyrhythms, Satanic Panic in the Attic (review) has already been getting word of mouth buzz as one of the best records of the year. Now, fanning the flames of fame as a flamboyantly flexible sextet extended by blends of friends, Of Montreal proudly un-frowns wowed crowds with stridently styled guile. Surreally appealing, with skits that are scene stealing, the band deals a meal of real rock and roll with more than a feeling. Why did they wish again to come to Michigan? Climbing the ladder and connecting the dots, Of Montreal’s Kevin Barnes surveys the scene, selflessly soliloquizes on the folly of bucolic solitude, and takes pains to explain why he would like to write music that changes your month.

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