Tag Archives: television

Idling the Phone

SanjayamaniaOne of the thankless jobs that many of us have had—or continue to endure—is one wherein we are, at the very best, in a cubicle the likes of which make the one Dilbert inhabits look like a Byzantine palace. Or we may be sitting at a table with a multitude of other people, all of whom are thinking “Is this all there is?” while waiting for the shift to end and the angst to ebb. Meanwhile, the “supervisor” sits superciliously, ready to pounce on our least foible or major fuckup. Let’s face it: It is hard to get away from the latter, given what it is that we’re doing to earn the sort of money that even the denizens of McDonald’s would scoff at.

Yes, we’re talking about the telephone solicitor job. Read the script if you don’t get an immediate hang up. Handle objections by skipping to other passages. Hope like hell that you’re able to sign the suckers up for magazines or windows or whatever. Then dial it again. And again. And again. Yes, this is what you went to school for.

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Dirty Girl Wins Again: Sarah Silverman to Host MTV Movie Awards

Sarah Silverman is a dirty, dirty girl.She’s the pretty dirty girl and wet dream of dorks everywhere and now she’s hosting the MTV Movie Awards, the second lamest awards show on television—just behind the People’s Choice Awards. But I’ll be watching, which is exactly why they hired her.

I am now in a different demographic than I was just a year ago. Moving from the 18-24 bracket was fun as I could now drink AND rent a car. The transition from 25-30 was a bit more difficult as it only meant I was now a thirty-something and who could help but think of that dopey 80s drama with boring people and their boring problems? The 30-34 bracket is the new 18-24 because Americans refuse to act their age and so it was a bit of déjà vu peppered with more post-binge body aches than I’d recalled and a better paying job. But now I am 35 and life is grand. That’s why they want me.

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American Idol covers Modest Mouse

This is perhaps the most succinct snapshot of mainstream American culture in 2007. The Top 12 finalists from American Idol, dressed as hippies and breakdancers, sing a snappy little version of Modest Mouse’s “Float On” in a commercial for—who else?—Ford Motor Co.

Absolutely perfect. This spot has it all. In just 44 seconds, they manage to co-opt and emasculate (at least) three generations of anti-Establishment counterculture: hippies, hip-hop, and indie rock. Welcome to the future! And you thought postmodernism was played out…

The Final OC Finale (for real this time)

The OC Series FinaleAdmit it: you’ve already forgotten about them. You felt your brain forgetting them even as you watched “The OC” series finale tidy it all up. It’s a week later, and you’ve moved on to “Heroes.” Or maybe, if you’re slumming, “Wicked Wicked Games.” But here are a few pitches for series spinoffs anyway, because anything’s better than “Are You Smarter than a 5th Grader?” Briefcase or no briefcase? No briefcase.

COOPER TROOPERS

Husband-free for the fourth time (or fifth? I already forgot), Julie Cooper and her daughter Kaitlin discover Julie’s beat-up orange Plymouth Sundance from high school parked under the San Diego Freeway, right where she abandoned it in 1986. There’s even a few wisps of dried-up pot in the ashtray. Ready for a new life, Julie and Kaitlin head east in the battered-but-lovable subcompact, and find adventure, laughter, and a little bit of romance in all the nowhere towns and hard-luck havens along the way. It’s “Promised Land” meets Thelma & Louise, or maybe “Gilmore Girls” in a car. Recurring special guests: Shelley Hack and Tracey Gold as a “Cagney & Lacey”-type detective team convinced the Cooper girls are part of an illegal cross-country road race.

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The 49th Annual Grammy Awards

Justin Timberlake at the 2007 GrammysA stream of conscious report of the recording industry’s biggest night with much love going to Jesus and Mary J. Blige. But why did Prince hold out on us?

Not being a massive Police fan but more of a Greatest Hits listener, I wasn’t especially excited to see them reunited, but as a music and culture watcher I was interested to see what was maybe the most powerful band of the 80s back on stage. Instead of the capable but unexciting walk through I’d expected, Sting, Stewart Copeland and Andy Summers came together to justify the euphoria rumors of their reunion sparked a couple months ago. Today’s current crop of rock-reggae fusion steppers should take note.

Oddly, that excitement was immediately subdued with the awarding of the Best Pop Duo to Tony Bennett and Stevie Wonder who stumbled to the stage and then were unceremoniously played off while they tried to thank their families.

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Where’s Mulder When You Need Him?

Gee, I wonder how this happens? Let’s see. . .CBS is broadcasting the Grammy Awards (Notice: “Grammy” is a registered trademark, so if you have a propensity to refer to an aged maternal relative with that term, beware, you may invoke the wrath of a SWAT team of lawyers) Sunday February 11, and on the preceding Friday, on the CBS “Hit Drama” (ipse dixit) “Ghost Whisperer” (admit it: You watch it for Jennifer Love Hewitt with the sound off), Mary J. Blige, who is nominated for a slew of Grammys (or is that “Grammies”?), is appearing (as “the coach of a high-ranked high school cheerleading team whose members are being disabled, one by one, by seemingly freak accidents in the days preceding their big cheerleading competition”). Funny how that works out, eh? On a hit CBS show one night and then a CBS Grammy presentation a couple later. Almost spooky. Of course, who is going to ponder that when there are Jennifer and high school cheerleaders and freakish accidents. . .?

Prince Reigns at Super Bowl XLI

The Purple BadnessPrince steps into the cultural madness and freakshow that is the Super Bowl halftime event to show America what it means to blow this motherfucker out.

The Super Bowl halftime show has become as much a part of the event as the game itself. What started with college marching bands filling time between halves has evolved (or devolved, as the case may be) into an entertainment extravaganza that rivals the most elaborate North Korean flip tile spectacle and is a tacit acknowledgement that the performer is a bona fide cultural icon. That kind of elevation is generally a sign that the artist in question has also probably passed into artistic irrelevancy. That’s why it was so great to see The Purple One put on an exhibition of true rock genius.

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The O.C. Cancelled!

Mini CooperWelcome to late-night Lifetime syndication, bitch!

Fox has finally shit-canned The O.C. According to a press release, the final episode will air February 22. Schwartz was quoted; “For a certain audience, at a certain time,” he said, “The OC has meant something. For that we are grateful.”

I’ve mostly enjoyed the show this season. I was willingly engulfed by an Autumn Reeser crush, which I’m sure was the writers’ plan all along, and that was before they rocked the Whitesnake video resets; I thought the cage match under the sewers (or wherever) at Avocado Ave. and 4th was fucking great; and I still liked Seth and Summer’s whole thing, even if it was coasting on fumes without the benefit of the best writing. (Julie Cooper and her damaged soul daughter were getting all the great asides.)

I still knew the end was near, though. Besides, everyone knows Grey’s Anatomy breaks more bands than The O.C. these days. Or, at least The Fray knows that.

Now that it’s been officially shut down, I envision an O.C. spinoff for Mini Cooper, sort of like a Saved by the Bell: The New Class. Maybe Adam Brody can hang out for that shit, be like Mr. Belding’s assistant, now that Dustin Diamond took off for the lucrative celebrity boxing circuit.

Check out all of Glorious Noise’s OC coverage over the years. Good times.

Justin Timberlake on SNL

I didn’t realize that NBC has started using YouTube… Earlier this year they demanded that awesome Natalie Portman rap video (my 2006 single of the year) to be pulled…

I’ve been Tivoing Saturday Night Live for a few years now, which renders it entirely watchable. Justin Timberlake was great the last time he hosted, and this time I was sad that Jimmy Fallon was no longer in the cast because the “Barry Gibb Talk Show” sketches had been so funny. Lo and behold, they brought Fallon back for the sketch (he probably wasn’t super busy).

Anyway, thanks to NBC and YouTube, you can watch the highlights after the jump, including the uncensored version of A Special Christmas Box

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