“With the democratization of music performance, we are all music inventors now. Anybody with a laptop and the ability to whistle a tune may invent the next musical genre without ever finding her way to a rehearsal room.”
That’s Bill Bruford. Former drummer for King Crimson, Yes and an array of his own combinations, Bruford got off the stage in 2009 and went on to acquire a Ph.D from the University of Surrey.
“We are all music inventors now.” That’s the definition of irony.
In an essay appearing in The Absolute Sound, Bruford makes many salient points about how many people want to be musicians without putting in the effort that it takes to be a musician that can actually move the art to where it hasn’t been.
• “Before the digital world arrived, you were Liszt or Liberace, Satriani or Santana, Hendrix or Holiday, Marley or Madonna, violinist, bassist, or saxophonist, or you aspired to being one of those, or assisted one of them in your role as a skilled support instrumentalist. Now that facsimiles of all these people are in our laptops, are we still making fresh ones?”
• “To master a musical instrument to a level that affords minimal creative options is seen as literally unaffordable because it takes too long.”
And because he is a drummer:
• “Drummers are well placed to resuscitate, to breathe life, to bring life to collective performance, but they remain too ready to abandon training, instinct and intuition at a moment’s notice, to accommodate another’s worldview. They tinker away in the engine room of the music to little effect—an abandonment of their traditional area of influence that borders upon a dereliction of duty. Such dereliction cedes power to others (client/producer/programmer) and eliminates the participatory discrepancies that make a performance unique. . . . To follow that road for a few more years will rightly consign the drummer to oblivion and do a calamitous disservice to popular music.”
But the only drummers who are likely to take stands, to create something that they are confident of, are those who have honed their capabilities. And that takes time. Sure, there is talent, but talent not tested through time is ephemeral.
While it might be thought that Bruford is just a crabby old man bitching about digital technology, yes, he is an old man, 72 years old, but it is hard to imagine that a guy who goes from being a performer on some of the biggest stages to the world to a classroom to get a degree in Music is in some way mentally ossified. Odds are he used a keyboard not a quill to write his essay.